{"id":26,"date":"2009-06-02T03:52:00","date_gmt":"2009-06-02T03:52:00","guid":{"rendered":"http:\/\/www.studio.alamidis.com\/?p=26"},"modified":"2020-07-14T13:52:11","modified_gmt":"2020-07-14T03:52:11","slug":"i-d-cards-in-sofia-bulgaria","status":"publish","type":"post","link":"http:\/\/www.studio.alamidis.com\/?p=26","title":{"rendered":"I.d cards In Sofia Bulgaria"},"content":{"rendered":"<p>Four panels and four large prints of the work &#8220;I.d&#8221; <span style=\"font-size: 85%;\">by &#8220;George Alamidis&#8221;<\/span> have been included in &#8220;WORK IN MOTION&#8221; An exhibition Curated by <a href=\"http:\/\/www.workinmotion.info\/2007\/09\/biographies-of-curators.html\">Per Pegelow<\/a> and <a href=\"http:\/\/www.workinmotion.info\/2007\/09\/biographies-of-curators.html\">Etta Gerdes<\/a>.<\/p>\n<p>1st -19th of June at:<br \/>\n<a href=\"http:\/\/www.redhouse-sofia.org\/index_e.html\"><span style=\"font-weight: bold;\">The Red House Centre for Culture and Debate<\/span><\/a><br \/>\n15, ljuben karavelov st. Sofia Bulgaria.<\/p>\n<p>The I.d cards and works on paper were delayed by Bulgarian customs, and were not on the gallery walls for the opening of the show.<\/p>\n<p>The work arrived at &#8220;The Red House&#8221; three days late and is now part of the exhibition. <span style=\"font-weight: bold;\"><br \/>\nWork In Motion: on Migration, Mobility and Labour<\/span>.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/1.bp.blogspot.com\/_tCoRDhgMONk\/SiSlWSFJr6I\/AAAAAAAAAfk\/A83Gk189Xe0\/s1600-h\/Cards.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" id=\"BLOGGER_PHOTO_ID_5342576860197400482\" class=\"alignleft\" style=\"cursor: pointer; width: 320px; height: 205px;\" src=\"https:\/\/i0.wp.com\/1.bp.blogspot.com\/_tCoRDhgMONk\/SiSlWSFJr6I\/AAAAAAAAAfk\/A83Gk189Xe0\/s320\/Cards.jpg?resize=320%2C205\" alt=\"\" width=\"320\" height=\"205\" border=\"0\" \/><\/a>The media art exhibition \u201cWORK IN MOTION &#8211; migration, mobility and labour\u201d intends to pool various artistic approaches in a pulsating art show. <a href=\"http:\/\/www.workinmotion.info\/2007\/09\/work-in-motion-migration-mobility-and.html\">Click to view more&#8230;<\/a><\/p>\n<p><span style=\"font-weight: bold;\">Work In Motion: on Migration, Mobility and Labour<\/span><br \/>\n&#8220;<span style=\"font-size: 78%;\">From The Red house program <\/span><span style=\"font-size: 78%;\">information&#8221;<\/span><br \/>\nMedia art exhibition curated by Per Pegelow, following a concept of Etta Gerdes and Per Pegelow; curator of the commissions to the show &#8211; Yovo Panchev<\/p>\n<p>The current change in global living conditions by new ways of communication and transport &#8211; often called globalization &#8211; is enabled by certain developments within the media. The view of this development with all its social and economic issues is represented by mass media in a way that leads to a phenomenon Jean Baudrillard calls &#8220;hyperreality&#8221;, where the perception of mass media products starts to replace the independent view on the common reality. Baudrillard suggests that the &#8220;production of alternative media&#8221; is a way back to a clear and more independent perception of reality.<br \/>\nThe media works of this exhibition do exactly this &#8211; (re-)producing a clear view on social lives within the European and North American nations in times of rapid &#8220;globalisation&#8221;. The media art exhibition pools various artistic approaches in a pulsating art show.<\/p>\n<p>In the programme: WorldWideWalks Sofia (<a href=\"http:\/\/www.peterdagostino.net\/\">Peter d&#8217;Agostino<\/a>, United States, interactive installation), I.D. (<a href=\"http:\/\/www.users.bigpond.com\/alamidis\/index.html\">George Alamidis<\/a>, Greece, installation of 140 ID cards), In &#8211; Formation (Aufstellung) (<a href=\"http:\/\/www.farocki-film.de\/\">Harun Farocki<\/a>, Germany, video), <a href=\"http:\/\/www.losers-and-winners.net\/\">Losers and Winners<\/a> (Ulrike Franke and Michael Loeken, Germany, documentary film about the deconstrucktion of a coal factory), etc. With the special participation of <a href=\"http:\/\/stanimir.eu\/\">Stanimir Genov<\/a> and <a href=\"http:\/\/www.yvaa.net\/index.php?page=artist_info&amp;artist=232&amp;year=56&amp;country=10\">Vikenti Komitski<\/a>. In partnership with <a href=\"http:\/\/www.rhiz.eu\/person-23949-en.html\">The Red House the Interactive Arts e.V.<\/a><\/p>\n<div class=\"blogger-post-footer\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blogger.googleusercontent.com\/tracker\/4720408624937866988-3773430565047201588?l=folionmit.blogspot.com\" alt=\"\" width=\"1\" height=\"1\" \/><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Four panels and four large prints of the work &#8220;I.d&#8221; by &#8220;George Alamidis&#8221; have been included in &#8220;WORK IN MOTION&#8221; An exhibition Curated by Per Pegelow and Etta Gerdes. 1st -19th of June at: The Red House Centre for Culture and Debate 15, ljuben karavelov st. Sofia Bulgaria. The I.d cards and works on paper were delayed by Bulgarian customs, and were not on the gallery walls for the opening<\/p>\n<div class=\"read-more\"><a class=\"btn read-more-btn\" href=\"http:\/\/www.studio.alamidis.com\/?p=26\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":1498,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_links_to":"","_links_to_target":""},"categories":[4,3,5,6],"tags":[],"class_list":["post-26","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alamidis","category-art","category-installation","category-interactive-art"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.studio.alamidis.com\/wp-content\/uploads\/2009\/06\/wimredhouse.gif?fit=650%2C430","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2lPcN-q","_links":{"self":[{"href":"http:\/\/www.studio.alamidis.com\/index.php?rest_route=\/wp\/v2\/posts\/26","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.studio.alamidis.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.studio.alamidis.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.studio.alamidis.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.studio.alamidis.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=26"}],"version-history":[{"count":3,"href":"http:\/\/www.studio.alamidis.com\/index.php?rest_route=\/wp\/v2\/posts\/26\/revisions"}],"predecessor-version":[{"id":1502,"href":"http:\/\/www.studio.alamidis.com\/index.php?rest_route=\/wp\/v2\/posts\/26\/revisions\/1502"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.studio.alamidis.com\/index.php?rest_route=\/wp\/v2\/media\/1498"}],"wp:attachment":[{"href":"http:\/\/www.studio.alamidis.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=26"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.studio.alamidis.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=26"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.studio.alamidis.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=26"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}